How do you document real life?
RENT, the iconic Pulitzer prize winning musical created by Jonathan Larson (Tick, Tick… Boom!) has once again entered a “conversational” renaissance. 9 Works Theatrical, which is celebrating its 15th year, brings forth a reinvention of the acclaimed Rock Musical by offering a fresh take on important issues the original seemed to just brush on.
As its message of acceptance, compassion and the enduring power of love continues to resonate, RENT remains as relevant and impactful as the day it debuted. Its themes of community, art and activism serve as a beacon of inspiration for audiences worldwide, reaffirming the profound influence of storytelling in fostering empathy and understanding.
The director of 2024’s RENT, Robbie Guevara promises to put the burgeoning issues of HIV and AIDS to the forefront of the production. In his rendition, a narrative previously confined by the limitations of its era is ingeniously elevated, turning themes from mere plot devices into powerful catalysts for societal reflection. With deft skill and artistry, he breathes new life into the production, infusing it with a much-needed sense of urgency and relevance.
While the setting remains faithful to the original, transporting audiences to the vibrant streets of New York City's East Village, RENT unfolds as a poignant musical saga amidst the backdrop of the AIDS crisis of the late 1980s and early 1990s. Following a group of bohemian friends navigating love, loss and the pursuit of their dreams, the narrative delves into the essence of life's fragility and the imperative of seizing every moment.
RENT attempts to portray a year in the life of a chosen family of vagabonds through significant scenes of their lives. It can feel clunky, but I believe that’s the intention and point of RENT. When we look back on our own memories, we do not recall accurately or in the most chronological way. We recall the feeling that encapsulates the memory, and that is what RENT conveys. Infused with a musical tapestry blending rock, pop and Broadway melodies, its iconic songs, including Seasons of Love, One Song Glory and I'll Cover You, have etched themselves into our collective consciousness as anthems of love, friendship and resilience.
The local talents and their energy infuse the production with a unique flavor that helps the plot resonate better with audiences—but RENT will always be challenging due to the sheer number of characters and storylines interwoven together. 9 Works Theatrical attempts to mesh this with extended transitions with the use of lights, screens, clever dialogue and blocking. But all of these result in a three-hour runtime with a 15 minute intermission. For casual musical fans, this could be a big commitment to make; as a theater fanatic, every minute is golden.
From the outset, the staging transports viewers into the gritty yet vibrant world of the East Village, where a group of struggling artists navigate love, friendship and loss amidst the AIDS crisis. The set design cleverly captures the essence of urban life, with brick building motifs, metal scaffolds, trash cans and railings. The set easily transitions to the next scene, which takes away any possible distraction from the production.
The cast of RENT delivers a myriad of standout performances, showcasing a diverse range of talents that breathe life into the characters they portray. Amongst the talents who truly shine is Lance Reblando, who commands the stage with versatility in portraying Angel Dumott Schunard, complemented by the stunning performance of Markki Stroem as Benny; together with Garrett Bolden, who showcases his vocal prowess and emotional depth playing Tom Collins, a lovely rendition of I’ll Cover You is delivered.
Reb Atadero (playing Mark Cohen) and Fay Castro (as Joanne Jeferson) captivate audiences with their comedic chemistry, particularly in the uproarious renditions of Tango Maureen and Take Me Or Leave Me. It’s a crowd favorite, and is done with utmost confidence and pride.
In addition to these stellar performances, Jasmine Fitzgerald commands attention as the witty and magnetic Maureen Johnson, while Anthony Rosaldo brings a compelling mix of moodiness and vulnerability to the character of Roger Davis. Thea Astley captivates as the enigmatic Mimi Marquez, adding layers of complexity to the role.
The rest of the ensemble cast enhances the production with their notable talents, with Jordan Andrews infusing Gordon with energy and charm. Joined by Guji Lorenzana as Mr. Jefferson, Abi Sulit as Pam, Misha Fabian as Ally, Chesko Rodriguez as Steve, Vyen Villanueva as Paul and Kai Banson as Alexi Darling, they round out the ensemble with performances that contribute to the overall dynamic and cohesion of the production.
Now let’s talk about what everyone wants to hear: the production's commitment to diversity and inclusivity. Fortunately, the cast reflects this. Themes of love, acceptance and resilience resonate strongly with audiences of all backgrounds, making this production a truly universal experience. However there are still issues within RENT that do not seem palatable to an audience in 2024. RENT remains a musical that relies heavily on the “kill your gays” troupe—where the queer character is merely a plot device that dies in order to advance the story and development of the cis and most probably heteronormative. No amount of showcasing or alteration of musical numbers can fix that.
RENT is also a musical that portrays harmful stereotypes, like the Latina drug addict and the can’t-get-along-for-more-than-five-minutes lesbian couple. Most of these are ingrained to the story of RENT, so changing it is near impossible. This is my main problem, but that doesn’t make it unwatchable. Just focus on the heart of the story and the catchy and timeless songs that make RENT irreverent.
The 2024 production of RENT stays true to the spirit of Jonathan Larson's masterpiece while attempting to reinvigorate it with important topics that need to be said and heard. The dynamic cast to the powerful musical numbers are what will keep one coming back to see RENT despite the aged themes and portrayals. At the end of the day, audiences in Manila and beyond should know that this production of RENT is not just a show—it's a celebration of life, art and the enduring power of human connection.
“RENT” is showing until June 1, 2024, at 3PM and 8PM on Saturdays and Sundays, and 8PM on Fridays. Tickets are available at https://ticket2me.net/event/21690
Words Charles Boswell
Art Dani Sison
